Chvrches - 2018 - Love Is Dead (HDtracks) [[email protected]]
Title: Love Is Dead (HDtracks)
Format: WEB, 13 files FLAC, Album, Remastered, 24bit 44.1kHz, HDtracks
Producer: Greg Kurstin, Chvrches, Steve Mac
Release Date: May 25, 2018
Recorded: February – December 2017 at Al Alucard, NYC, Echo Studios, LA, Red Bull Studios, NYC and Rokstone Studios, London
Label: Glassnote Records
Genre: Pop, Synth-Pop, Indietronica, Indie Pop
Chvrches (pronounced "churches"; stylised as CHVRCHΞS) are a Scottish synth-pop band from Glasgow, formed in September 2011. The band consists of Lauren Mayberry, Iain Cook and Martin Doherty. Mostly deriving from the synthpop genre, Chvrches also incorporate indietronica, indie pop, and electronic dance into their sound.
Two years after their formation, Chvrches released Recover EP in March 2013, which included hits "The Mother We Share" and "Recover". Their debut studio album, The Bones of What You Believe, was released on 20 September 2013, while the band was ranked fifth on the Sound of 2013 list by the BBC. Two years later, on 25 September 2015, the group released their second album, Every Open Eye. Their third album, Love Is Dead, was released on 25 May 2018.
Love Is Dead:
Love Is Dead is the third studio album by Scottish synthpop band Chvrches, released on 25 May 2018 through Glassnote Records.
The album was co-produced by Greg Kurstin, making this the band's first album not independently produced. The band collaborated with David Stewart from Eurythmics and Matt Berninger from The National during production. The album was announced by Martin Doherty at the start of January, with frontwoman Lauren Mayberry accidentally revealing the album's name in a now-deleted interview that same month.
After wiping their social media accounts, the band released "Get Out" on 31 January. The track listing for the album was released two days before the next single, "My Enemy", which featured Berninger, was released on 28 February. The third single from the album, "Never Say Die", was released on 29 March. "Miracle" was released as the fourth single on 10 April.
AllMusic Review by Heather Phares:
Chvrches influenced mainstream pop with The Bones of What You Believe and Every Open Eye, and on Love Is Dead, mainstream pop returns the favor. As distinctive as their heartfelt electro-pop is -- and how well they do it -- Lauren Mayberry, Iain Cook, and Martin Doherty recognized they needed some variety on their third album. Instead of self-producing Love Is Dead, they opened their creative process to collaborators who reflect the roots of their sound as well as its place in the 2010s. Dave Stewart, whose mastery of emotive synth pop stretches back to his Eurythmics days, served as Chvrches' mentor, while Greg Kurstin, who's straddled the line between alternative and mainstream pop since the '90s, co-wrote and co-produced many of the album's tracks. Not surprisingly, this is the band's biggest-sounding album yet, and the stakes in their songs have never sounded higher. Love Is Dead lives up to its dramatic title, delivering anthems about seizing the moment in the face of loss; on songs like "Wonderland," the contrast between their dark lyrics and neon sounds is especially sharp. Similarly, the album's glossy production provides the perfect foil for Lauren Mayberry's vocals, which haven't sounded this direct or empathetic since The Bones of What You Believe. The way she sings "I've been waiting for my whole life to grow old/And now we never will" on "Graffiti" deftly blends heartache and joy, while "Deliverance" reaffirms that she's second to none at holding the subjects of her songs accountable for their actions. She sells many of Love Is Dead's poppiest moments, adding an extra dash of charisma to "Forever" and "Graves," both of which find Chvrches dancing on their troubles with a few new moves. However, not all of their changes are this successful. As they widen and narrow their sound, their music suffers when they go too far to one extreme or the other. Compared to its poignant verses, "Get Out"'s choruses are massive but thin, and "Miracle"'s distorted vocals and stomping beats are late-2010s pop trends that make Chvrches sound interchangeable with too many other acts. Conversely, the interlude "ii" feels like an unnecessary bid for artistic credibility, and when Mayberry isn't the focus (as on "God's Plan" and the Matt Berninger duet "My Enemy") the album loses momentum. Fortunately, "Really Gone" -- which is so affecting that it should have been the closing track -- provides a better respite from Love Is Dead's pop anthems. Meanwhile, "Heaven/Hell" cleverly questions what is real and what is fake, a pointed topic for a group that blurs the boundaries between indie cred and pop accessibility as skillfully as this one does. The few stumbles that the band makes on Love Is Dead are almost refreshing; they reaffirm that Chvrches aren't androids designed to craft perfect synth pop. Indeed, the most impressive thing about the album might be that as big as its sound gets, the band never loses touch with the humanity that's at the core of their music.
01. Graffiti (3:38)
02. Get Out (3:51)
03. Deliverance (4:12)
04. My Enemy (feat. Matt Berninger) (3:53)
05. Forever (3:44)
06. Never Say Die (4:23)
07. Miracle (3:08)
08. Graves (4:43)
09. Heaven/Hell (5:05)
10. God's Plan (3:31)
11. Really Gone (3:11)
12. ii (1:09)
13. Wonderland (4:35)
Ian Chang – drums (10)[/size]
[size=6]24/7 Seedbox Support